Later in the 19th century, eyes were often surrounded by silver rings, but in this case, stylistic convention required that the button be plain silver with no ebony showing. This may well have started with Voirin and certainly Lamy used that rule. Vigneron is also a good example and Sartory followed this style with the exception of the bows he made his friend Emile Germain, the luthier. These were without eyes and stamped with Germain’s name. Although I have always avoided trading in old bows, I once had a visit to my Seattle shop from a violin shop owner with one of these bow’s in hand. He asked my opinion and I told him it was a Sartory. He later confided that he was afraid to sell it as a Sartory because its authenticity could be questioned. So he wondered if I would buy it as an unknown entity. I took it to Paris on my next trip and sold it immediately because the bows were well known there. On the other hand, gold mounted bows in this period most always had a button showing two gold rings.
To put eyes on a frog we drill a very shallow hole in the frog using a special bit we make ourselves. Then a piece of pearl is filed round to fit tightly. This is glued in place and after the glue sets any excess pearl is filed flush. Traditionally the eyes are cut out in little squares with a saw and the corners are filed or clipped off making an octagon. Then the eye is filed round and fit. This can be done much faster and accurately than one might think. However today makers often use a lathe to cut out the little eyes. Interestingly, the hand fit eyes look livelier because they are almost imperceptibly out of round.
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